Джотто ди Бондоне (1267 Веспиньяно - 1337 Флоренция) – Стигматизация святого Франциска, пределла - Сон папы Иннокентия III Part 6 Louvre

The composition presents a scene unfolding within a defined architectural space, framed by a gilded border that emphasizes its sacred nature. Here we see a central figure, presumably Christ, positioned within a lavishly decorated bedchamber. He is depicted with a serene expression and raised hands, suggesting divine blessing or authority. The bed itself is draped in vibrant red fabric, drawing the eye to this focal point of the narrative.
Adjacent to the bed lies a man in ecclesiastical vestments – a papal tiara clearly visible – seemingly asleep or in a state of reverie. His posture suggests vulnerability and submission before the divine presence. A figure kneels at the foot of the bed, his face turned downwards in an attitude of prayer or contemplation.
To the left, a robed individual stands with raised hands, appearing to be either interceding on behalf of those present or receiving some form of revelation. His gesture is mirrored by Christ’s, creating a visual link between the earthly and divine realms. Behind this figure, a building rises, its facade adorned with windows containing further figures – one holding what appears to be a wheel, an emblem laden with symbolic meaning potentially relating to suffering or martyrdom.
The artist employed a flattened perspective characteristic of early Renaissance painting. Figures are arranged in a hierarchical manner, emphasizing their relative importance within the narrative. The use of gold leaf not only enhances the visual richness but also reinforces the spiritual significance of the event depicted.
Subtexts embedded within this scene might concern divine intervention in earthly affairs, specifically relating to papal authority and religious experience. The dreamlike quality of the composition – suggested by the sleeping pontiff – implies a vision or prophetic encounter. The inclusion of the wheel motif hints at themes of sacrifice and redemption. Overall, the painting conveys a sense of solemnity and reverence, inviting contemplation on the relationship between faith, power, and divine grace.