Joseph Siffred Duplessis – Charles-Claude Flahaut de la Billarderie
1780-1789 oil on canvas
Location: National Gallery of Denmark, Copenhagen (Statens Museum for Kunst).
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The man’s attire immediately signals status and wealth. He is dressed in a vibrant pink coat with elaborate embroidery, paired with a cream-colored waistcoat adorned with lace detailing. A green bow tie and a prominent red ribbon affixed to his chest further denote rank or membership in an order of chivalry. The fabrics appear rich and finely woven, reflecting the subject’s access to luxury goods. His powdered wig is styled with careful precision, adhering to the fashionable aesthetic of the period.
The gentleman rests one hand on a table draped with a linen cloth, upon which documents are partially visible. This detail suggests involvement in administrative or official duties, hinting at his position within society. The other hand is casually placed on the armrest of the chair, contributing to an impression of relaxed authority.
Beyond the straightforward depiction of wealth and status, subtle nuances emerge. Theres a certain softness around the eyes that tempers the formality of the pose, suggesting a more complex personality than mere display might imply. The slightly fleshy face, while not unattractive, deviates from idealized representations common in portraiture, potentially indicating an attempt at realism or perhaps a deliberate rejection of strict aesthetic conventions.
The overall effect is one of controlled opulence and understated power. It’s a visual statement designed to communicate social standing and personal character within the context of a hierarchical society. The artist has skillfully employed color, texture, and composition to create a portrait that transcends mere likeness, offering instead a glimpse into the world of privilege and refinement.