Part 3 Louvre – Luca Giordano -- The Wedding of Saint Mary (Marriage of the Virgin)
c.1688, 116х136
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Flanking her is a male figure, presumably officiating at the ceremony. He holds aloft what appears to be a flowering branch or plant, which he offers towards the young woman. Several other men surround them, some in positions of apparent authority – identifiable by their attire and gestures – while others kneel or stand observing the proceedings. The clothing styles are varied, suggesting different social standings within the depicted community. A few women are present as well, one kneeling with her hands pressed together in what could be interpreted as prayer or supplication.
Above this central group, a luminous cloud formation is visible, populated by several cherubic figures. This celestial presence introduces an element of divine sanction to the event taking place below. The light emanating from these figures illuminates the scene, drawing attention to the key participants and contributing to a sense of heightened significance.
The artist employed a dynamic arrangement of figures, creating a feeling of movement and energy within the composition. The use of chiaroscuro – the contrast between light and dark – is notable, enhancing the drama and emphasizing certain individuals. The color palette is rich and warm, with blues, reds, greens, and golds predominating.
Subtleties in facial expressions suggest a range of emotions among those present: reverence, curiosity, solemnity, and perhaps even a hint of anxiety. The overall impression conveyed is one of a pivotal moment – a ceremony imbued with religious or social importance, witnessed by a community united in observation. The presence of the celestial figures suggests that this event transcends the earthly realm, hinting at a divine blessing or intervention.