Part 3 Louvre – Alexandre-François Desportes -- Portrait of the artist as a hunter
1699, 197х163
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Two dogs are prominently featured within the scene. A lean, tawny hound stands attentively to his left, its gaze fixed forward with an air of alertness. To his right, a larger, white dog rests its head upon his lap, exhibiting a more docile and companionable demeanor. At the man’s feet lies a pile of game – hares or rabbits – a direct consequence of the hunting activity implied by his attire and equipment.
The landscape visible through the trees suggests an expansive vista, with rolling hills receding into a hazy distance under a cloudy sky. The light is diffused, creating a soft atmosphere that emphasizes the textures of the man’s clothing and the fur of the dogs.
Beyond the straightforward depiction of a hunter and his companions, several subtexts emerge. The elaborate nature of the mans clothing suggests not merely a practical pursuit but also an aristocratic engagement with the sport. Hunting was often associated with leisure and status in this period. The relaxed posture and confident gaze convey a sense of mastery – not only over the hunt itself, but perhaps also over his social standing.
The presence of two distinct types of dogs – the alert hound and the docile companion – might symbolize different facets of character or roles within a hierarchical structure. The pile of game at his feet serves as a tangible representation of success and abundance, reinforcing the image of prosperity and control. Ultimately, the painting appears to be less about the act of hunting itself, and more about constructing an identity through association with this traditionally elite pastime.