Part 3 Louvre – Vitale da Bologna -- Coronation of the Virgin
c.1340-45, 52х57
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Flanking the central figures are two additional male figures, each framed within individual mandorlas – haloed architectural structures that further emphasize their sanctity. One figure holds what appears to be a mirror, reflecting light and potentially symbolizing introspection or divine truth. The other stands with hands clasped in prayer or benediction. Above them, several angelic beings hover, their presence reinforcing the spiritual significance of the event.
The color palette is restrained but impactful. Deep greens and blacks dominate the woman’s garments, contrasting sharply with the gold and crimson hues that define Christs attire and the throne. The use of gold leaf creates a sense of opulence and otherworldliness, while the limited range of colors contributes to the painting’s overall solemnity.
The artist has employed a flattened perspective characteristic of Byzantine art, minimizing depth and emphasizing symbolic representation over naturalistic detail. Facial expressions are stylized rather than realistic, conveying piety and devotion through fixed gazes and serene countenances. The figures elongated proportions contribute to their ethereal quality.
Subtexts within the work suggest themes of divine grace, humility, and spiritual elevation. The act of coronation implies a bestowal of power or authority, likely signifying the Virgin Mary’s elevated status within the Christian hierarchy. The mirror held by one figure might allude to self-reflection and the recognition of divine favor. Overall, the painting conveys a sense of profound religious devotion and reinforces the importance of faith and reverence in the spiritual realm.