Eric Ravilious – Ward Room Number 1
1941 colour litho
Location: The Fry Art Gallery, Saffron Walden.
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A dominant feature is the large, circular window dominating the upper portion of the image. It emits a harsh, yellow light that illuminates the room while casting deep shadows elsewhere. Within this circle, a clock face is visible, its hands indicating a specific time – a detail which subtly underscores themes of mortality and the relentless passage of time. The radiating lines emanating from the window suggest an almost oppressive intensity of observation or scrutiny.
The woman’s posture conveys exhaustion and vulnerability. Her head rests heavily on her arm, suggesting physical or emotional fatigue. The man beside her appears to be in a state of anxious attentiveness; his gaze is directed downwards towards papers laid out on the table. These documents likely hold medical information, adding another layer of complexity to their interaction.
To the right, a figure clad in what seems to be a medical gown stands partially obscured by a chair. The details of this individual are somewhat blurred, contributing to an atmosphere of ambiguity and perhaps hinting at the impersonal nature of institutional care. The visible buttons on the gown suggest a uniform or professional attire, further reinforcing the clinical setting.
The color palette is restrained, primarily utilizing muted tones of yellow, gray, and black. This limited range contributes to the overall somber mood. The use of strong contrasts between light and shadow amplifies the sense of confinement and isolation within the ward.
Subtly, the painting explores themes of human connection in the face of suffering, the burden of responsibility, and the impersonal nature of medical institutions. It evokes a feeling of quiet desperation and the weight of unspoken anxieties that often accompany illness and caregiving.