Unknown painters – Holy family (copy of Bartolomeo Schedoni)
1610-1615. Emilian painter
Location: Academy Carrara (Accademia Carrara), Bergamo.
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To his right stands a young child, seemingly interacting with a seated woman. The child’s gesture – an outstretched hand pointing upwards – is particularly striking, drawing attention to an unseen element beyond the immediate setting. The woman is dressed in modest attire, her head covered with a white cloth. She appears calm and observant, her gaze directed towards the same point indicated by the childs finger.
The background is rendered as a darkened archway, hinting at a space beyond the workshop. This creates a sense of depth and suggests a connection to something larger than the immediate domestic sphere. The floor is littered with tools, wood shavings, and other debris associated with carpentry, reinforcing the setting’s practical nature. A small basket containing what appears to be fruit or bread sits near the woman, adding a touch of everyday life to the scene.
The arrangement suggests a narrative beyond the purely visual. The childs gesture implies divine intervention or revelation, while the craftsmans labor symbolizes human toil and dedication. The woman’s presence embodies maternal protection and quiet contemplation. The overall impression is one of humble piety and familial devotion, subtly interwoven with themes of work, faith, and the passage of time. The subdued color palette contributes to a sense of solemnity and introspection.