Unknown painters – Our Lady of Sorrows
1670~1690. Emilian painter
Location: Academy Carrara (Accademia Carrara), Bergamo.
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The woman’s attire consists of a simple red garment beneath a pale grey shawl that drapes over her shoulders and cascades down to her waist. The fabric appears somewhat coarse, adding to the overall impression of humility and austerity. Her hair is long and straight, falling loosely around her face, framing it in a way that accentuates its features.
The emotional register of the figure is central to the work’s impact. Theres an undeniable sadness conveyed through her expression – not one of overt grief, but rather a quiet suffering, a deep melancholy etched into the lines around her eyes and mouth. The slight downturn of her lips contributes to this feeling of sorrow. She clasps her hands together in front of her, a gesture that can be interpreted as either a sign of prayer or an attempt to comfort herself.
The limited color palette – primarily dark browns, greys, and reds – reinforces the somber mood. The darkness surrounding the figure isolates her, drawing attention to her internal state. There is a sense of vulnerability in her posture and expression; she appears burdened by unseen sorrows. The overall effect is one of quiet dignity amidst profound suffering, suggesting a narrative of personal loss or enduring hardship.