The attributes of the arts Jean Baptiste Siméon Chardin (1699-1779)

Here we observe a composition centered around a seated female figure, rendered in a style reminiscent of classical sculpture. She is draped in flowing robes, her posture upright and dignified, suggesting a personification or allegorical representation. The figures gaze is directed forward with an expression that appears both serene and contemplative.
Arranged before her are various objects, clearly intended to signify different artistic disciplines. A painter’s easel stands prominently on the left, displaying a palette laden with pigments. To its right lies a collection of sculpting tools and what appear to be clay models. Further elements include musical instruments – a lyre or similar stringed instrument is visible – and architectural plans or drawings are partially revealed in the background. These objects are not merely decorative; they function as symbolic markers, establishing a connection between the central figure and the creative arts.
The setting itself contributes to the painting’s meaning. The figure appears to be positioned on an elevated platform, suggesting her authority and importance within this realm of artistic endeavor. A dark backdrop creates a sense of depth and focuses attention squarely upon the arrangement of objects and the seated personification.
Subtly, the composition conveys a message about the interconnectedness of various art forms. The presence of diverse tools and instruments implies that these disciplines share common roots or principles. The central figure likely embodies an ideal of artistic inspiration or patronage, overseeing and unifying these different creative pursuits. The overall effect is one of reverence for the arts and their power to shape human understanding and expression.