Jean Baptiste Siméon Chardin – Self Portrait
c.1771. 46х38
Location: Fine Arts Museum, Orleans (Musée des beaux-arts d’Orléans).
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The subject’s face displays signs of age; wrinkles are evident around the eyes and mouth, contributing to an overall impression of experience and perhaps weariness. He wears spectacles with round frames that magnify his eyes, drawing attention to their gaze. The expression is complex – a mixture of seriousness and a hint of wry amusement seems to play across his features.
He is dressed in what appears to be working attire: a loosely knotted coral-colored scarf encircles his neck, and a white bandanna, adorned with blue ribbons, covers his head. This combination suggests an individual engaged in a practical profession, possibly one requiring close work or attention to detail. The bandanna, rather than appearing purely decorative, seems functional, hinting at the demands of his daily life.
The artist’s brushwork is loose and expressive, particularly noticeable in the rendering of the fabrics. The textures are suggested with quick strokes, creating a sense of immediacy and vitality. Light falls across the face from an unseen source, highlighting certain areas while leaving others in shadow, which enhances the three-dimensionality of the figure.
Subtly, the painting conveys a sense of self-awareness and perhaps even a degree of irony. The subject’s direct gaze engages the viewer, suggesting a willingness to be scrutinized. The inclusion of the spectacles and working clothes could be interpreted as an assertion of professional identity or a commentary on the role of the artist within society – a craftsman who relies on tools and skill to produce his work. The overall effect is one of quiet dignity and understated self-portraiture.