The Himalayas (Etude) (18) Roerich N.K. (Part 1)

Here we observe a study focused on mountainous terrain, likely depicting a high-altitude range. The composition is dominated by sharply angled peaks and slopes, rendered with a deliberate simplification of form. Theres a distinct lack of atmospheric perspective; the mountains appear as flat planes of color rather than receding into distance.
The palette is unusual, employing an unexpected combination of hues. Predominantly, we see shades of pink, blue, and ochre applied in broad blocks. The pink tones are particularly striking, suggesting either a specific lighting condition (perhaps dawn or dusk) or a more subjective interpretation of the landscapes color. The blues define the shadowed areas, while the ochres introduce warmth to the lower slopes. This limited range contributes to an overall sense of abstraction and emotional intensity rather than realistic representation.
The artist’s technique appears economical; brushstrokes are visible but largely blended, creating a smooth surface with minimal textural variation. There is a deliberate flattening of space, which removes any illusion of depth. The composition feels compressed, as if the viewer is positioned very close to the mountain face.
Subtextually, this work seems less concerned with topographical accuracy and more interested in conveying an emotional response to the grandeur and scale of these natural formations. The unusual color choices suggest a desire to move beyond mere observation, hinting at feelings of awe, isolation, or even a sense of the sublime. The study’s title (Etude) implies it is a preliminary exploration, a means of investigating form and color relationships rather than a finished artwork. It suggests an ongoing process of understanding and interpreting the landscape through artistic expression.