Moses Haughton – Fish
1790
Location: Museums and Art Gallery, Birmingham.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The variety of species is immediately noticeable; there are specimens resembling carp, trout, and smaller silver-scaled fish. The artist has rendered each fish with a degree of naturalism, paying close attention to their scales, fins, and overall form. Light reflects off these surfaces, creating a sense of three-dimensionality and highlighting the textures.
Behind the pile of fish, a landscape unfolds. A body of water stretches into the distance, bordered by dense foliage and a low-hanging branch that partially obscures the view. Three birds are visible in flight against a cloudy sky, adding a touch of dynamism to an otherwise static scene. The color palette is dominated by earthy tones – browns, greens, and muted blues – contributing to a somber and somewhat melancholic atmosphere.
Beyond the straightforward depiction of fish, several subtexts emerge. The arrangement itself suggests abundance and perhaps even excess. The piling of the fish could be interpreted as symbolic of plenty or, conversely, of a loss of value through oversupply. The dark background and muted colors evoke a sense of mortality; the stillness of the scene hints at an ending, a cessation of life.
The inclusion of the birds in flight introduces a contrasting element – freedom and movement against the immobility of the fish. This juxtaposition might suggest themes of capture versus liberation or the fleeting nature of existence. The landscape itself, while seemingly tranquil, is partially obscured, hinting at hidden depths and complexities beyond what is immediately visible. Overall, the painting conveys a sense of quiet contemplation on themes of life, death, abundance, and the natural world.