Francesco de Mura – Self-Portrait
1740. oil on canvas
Location: Minneapolis Institute of Arts, Minneapolis.
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The man’s clothing is meticulously rendered: a dark blue coat adorned with gold buttons, layered over an embroidered waistcoat of vibrant yellow. A voluminous red cloak cascades around him, adding visual weight and emphasizing his stature. His powdered wig, styled in the fashionable manner of the period, frames a face marked by a certain intensity. The gaze is direct, almost challenging, suggesting a desire to be perceived as thoughtful and resolute.
He leans slightly on a table positioned at his right side. Upon this table rests a sheet of paper displaying what appears to be a preliminary sketch or study – a depiction of a figure in classical garb, rendered with visible charcoal strokes. The presence of the unfinished drawing is significant; it serves not merely as a prop but as an indication of the artist’s craft and process. It suggests that he wishes to present himself not just as a man of status, but also as a creator engaged in the act of artistic production.
The architectural elements visible behind him – a stone ledge and what might be columns – further contribute to the overall impression of classical learning and refinement. The dark background serves to isolate the figure, drawing attention to his presence and emphasizing his self-portraiture.
Subtly, there is a tension between the formality of the attire and the somewhat melancholic expression on the man’s face. This contrast hints at an internal complexity, suggesting that the outward presentation of confidence may mask deeper thoughts or emotions. The painting conveys a sense of ambition and intellectual engagement, while also hinting at a degree of introspection.