Roerich N.K. – Secret # 79 Innermost (Treasure mountains)
1933. Tempera on canvas. 73.6 x 117.1 cm.
Location: Nicholas Roerich Museum of the United States. New York
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Behind this crystalline mass, partially obscured but undeniably present, is an architectural structure – a building with pointed arches reminiscent of Gothic cathedrals. This element is bathed in a warm, golden light, contrasting sharply with the cool tones of the surrounding crystals. The juxtaposition creates a visual hierarchy, suggesting that the architecture represents something precious or sought after, while the crystalline forms act as both guardians and obstacles to its access.
The overall effect evokes a sense of mystery and hidden value. The dark background contributes to this feeling, implying an enclosed space – a cavern, perhaps, or a subterranean chamber – where these treasures are concealed. The scattered fragments of what appear to be paper or parchment amongst the crystals introduce another layer of narrative complexity. These remnants suggest a history, possibly one involving exploration, discovery, and even loss.
The painting’s subtexts seem to revolve around themes of aspiration, protection, and the pursuit of something elusive. The crystalline forms could symbolize challenges or trials that must be overcome to reach a desired goal – the golden architecture representing enlightenment, knowledge, or spiritual fulfillment. Alternatively, they might represent the inherent dangers associated with seeking such treasures, suggesting that the path to enlightenment is fraught with peril. The presence of the scattered documents hints at past attempts to uncover this secret, implying that the journey is not easily undertaken and may involve deciphering fragmented clues.