Part 1 Prado museum – Giordano, Luca -- Asunción de la Virgen
1700, 61 cm x 82,2 cm, Lienzo, Óleo. Luca Giordano
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Below her, clustered on what appears to be a rocky outcrop, is a group of figures gazing upwards with expressions ranging from awe to astonishment. Their attire varies, suggesting a range of social classes or perhaps representing different generations witnessing this extraordinary event. Several hold musical instruments – trumpets and other wind instruments – seemingly participating in the celebratory fanfare accompanying the ascension. The positioning of these figures creates a visual pyramid, anchoring the composition and drawing the viewer’s eye towards the central figures ascent.
The artist employs a dynamic use of light and shadow to enhance the sense of movement and divine presence. A radiant glow emanates from behind the ascending figure, illuminating her form and casting dramatic shadows across the cloudscape. The clouds themselves are rendered with considerable detail, their forms suggesting both turbulence and ethereal beauty.
Subtly, the painting explores themes of faith, revelation, and the transition between earthly existence and a higher realm. The contrast between the grounded figures below and the elevated figure above underscores the divide between human experience and divine grace. The musical instruments suggest not only celebration but also an attempt to articulate the ineffable nature of the event – a symbolic representation of humanity’s efforts to understand and express the sacred. The varied expressions among the onlookers hint at the diverse ways individuals grapple with profound spiritual experiences, ranging from quiet reverence to exuberant joy.