Peter Paul Rubens – Peace Embracing Plenty
1633-34. 63x47. Yale Art Gallery New Haven
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The architectural setting consists of a pediment supported by ornate columns, suggesting a formal and monumental space. The stonework is rendered with considerable detail, exhibiting a play of light and shadow that emphasizes its three-dimensionality. This backdrop lends an air of solemnity and grandeur to the interaction between the figures.
Color plays a significant role in conveying meaning. The golden hue of one figure’s attire suggests richness, prosperity, or perhaps divine status. The softer pink and blue tones of the other figures clothing create a contrast that may signify vulnerability or gentleness. The warm palette overall contributes to an atmosphere of warmth and comfort.
Beyond the literal depiction of embrace, subtexts relating to abundance and harmony are present. The presence of grapes and the cornucopia – traditional symbols of fertility and prosperity – implies a connection between the figures closeness and the flourishing of resources. The architectural setting further reinforces this sense of stability and order.
The artist’s technique is characterized by loose brushwork, particularly evident in the rendering of fabrics and hair. This approach lends a dynamic quality to the scene, suggesting movement and emotion. The overall effect is one of idealized beauty and allegorical significance, hinting at themes of peace, prosperity, and the nurturing of abundance.