Peter Paul Rubens – Susanna and the Elders
1607-08. 94x66
Location: Borghese gallery, Rome (Galleria Borghese).
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COMMENTS: 3 Ответы
Отстал от жизни и не знаю, политкорректно ли название школы этого Великого живописца, но так он видел в своем времени-пространстве.
Сусанна и придурки...
Но написано замечательно!
Сусанна и придурки...
Но написано замечательно!
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This painting depicts the biblical story of Susanna and the Elders. The central figure is Susanna, a beautiful and virtuous woman, shown semi-nude and seated on a white cloth. She is looking upwards with a distressed expression, her body contorted in a defensive posture, suggesting her vulnerability and fear. Her left arm is outstretched, as if trying to ward off an attacker, while her right hand clutches a piece of white fabric.
Dominating the right side of the canvas are two elderly men, the titular elders. They are depicted leaning over Susanna, their faces close to hers. One elder, wearing a red garment and a turban, points a finger accusingly or threateningly towards Susanna, while his lips are pursed, as if whispering a demand or a threat. The other elder, with a beard and a neutral expression, is also gesturing, his hand raised in a way that could be interpreted as either an attempt to silence her or to beckon her. Their presence creates a claustrophobic and menacing atmosphere around Susanna.
The setting appears to be a garden or woodland, with dark, lush foliage forming a backdrop. To the left, there is a hint of a building or architectural element, possibly a bathhouse, further situating the scene. The overall lighting is dramatic, with a spotlight effect on Susannas pale skin, emphasizing her innocence and beauty against the dark, shadowed surroundings and the ominous figures of the elders.
The subtexts of this painting are multi-layered: