Selfportrait with brother Philipp, Justus Lipsius and another scholar Peter Paul Rubens (1577-1640)
Peter Paul Rubens – Selfportrait with brother Philipp, Justus Lipsius and another scholar
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Painter: Peter Paul Rubens
The painting of this gifted and talented artist has special significance and value for Rubens himself. "Justus Lipsius and His Disciples" is another title for this painting, and the particularity lies in the fact that the artist painted the most related people in the picture--a brother, his close friend, and the man whose role in their lives was crucial--the teacher Justus Lipsius. The painting depicts a marble sculpture of the Roman philosopher Seneca, with the great teacher and his beloved disciples under his head.
Description of Peter Rubens’s painting The Four Philosophers
The painting of this gifted and talented artist has special significance and value for Rubens himself. "Justus Lipsius and His Disciples" is another title for this painting, and the particularity lies in the fact that the artist painted the most related people in the picture--a brother, his close friend, and the man whose role in their lives was crucial--the teacher Justus Lipsius.
The painting depicts a marble sculpture of the Roman philosopher Seneca, with the great teacher and his beloved disciples under his head. The artist also depicted himself on this canvas, but he is a bit distant from the participants in the philosophical discussions. The artist is depicted as an ordinary listener, ready to indulge in these intelligent and philosophical speeches for a long time. The painting is done in a rich color palette and there is even luxury and some pomposity. The luxury lies in such details as the column made of marble, the curtain made of luxurious and bright drapes. In the picture you can see how next to the bust of the Roman painter there is a transparent vase with beautiful and bright tulips.
The painting is interesting in that not only does the teacher appear to us as a bright personality, but the students also have their individuality and characteristics and differences. Looking at the painting, one can notice that the artist puts kinship and friendship in the first place, because he depicted the people dear to his heart in the foreground, and himself removed from them.
In general, the emotions that the painting conveys immerses the observer in the inner world of the participants in a philosophical conversation.
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COMMENTS: 1 Ответы
ПРЯНИК:
1. Возможность ознакомится с картиной!
2. Возможность скопировать картину ВЫСОКОГО качества!!! БОЛЬШОЙ СПАСИБО
3. Адрес оригинала картины!!!
ВОЗЖИ
1. нет наименования картины на языке оригинала (или английском? – )
2. НЕТ Рассказа о картине (или ссылки на сайт, где это есть) Например меня интересует художник Абрахам Яссенс (музей Платин-Моретус, Антверпен) с картины которого списал Рубенс Юстуса Липсиуса (1547-1606) Четыре философа
3. ну и не забывайте про капитализм – я бы заплатил NN-ую сумму за компакт=диск со ВСЕМИ картинами Рубенса (в частности)!!! с рассказом о картине. (возможно у вас есть – поищу, но на странице 4 философа не нашел)
4. Слабовата ссылка на альбом Рубенса – может иконку NN картин находят одна на другую и надпись на иконке ВСЕ КАРТИНЫ РУБЕНСА
SATOR. ucoz.ru
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Кстати Я сам автор шедевра XXI века -
http://sator.ucoz.ru/index/shedevr_xxi_veka/0-364
что дает мне уверенность увидеть Шедевр на вашем сайте
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Here we see a younger man positioned on the left, his gaze directed outward, creating a sense of engagement with the viewer or perhaps anticipating a response to something being discussed. Adjacent to him is another man, gesturing with his hand as if in explanation or debate. His posture conveys animation and involvement in the conversation. The central figure, distinguished by an elaborate fur collar, leans forward slightly, his expression suggesting attentiveness and possibly leadership within the group. To his right sits a fourth man, seemingly absorbed in reading from a document held in his hands; his demeanor is more reserved compared to the others.
Behind the men, a heavy red curtain hangs dramatically, partially obscuring a landscape visible through an opening. The landscape itself appears somewhat idealized and distant, hinting at broader intellectual horizons or perhaps alluding to classical learning. A bust of a bearded male figure, framed within an ornate medallion, is placed on the wall behind the group; it likely represents a revered historical figure, reinforcing the theme of scholarship and tradition. A small vase containing red flowers sits beside the bust, adding a touch of elegance and symbolic resonance – potentially representing passion or intellectual fervor.
The lighting in the painting is carefully orchestrated to highlight the faces and gestures of the men, drawing attention to their expressions and interactions. The use of chiaroscuro – the contrast between light and dark – adds depth and drama to the scene. The overall effect is one of learned discourse within a privileged setting, emphasizing not only individual intellect but also the importance of intellectual exchange and mentorship. Subtly, the painting conveys an assertion of status and cultural capital through dress, surroundings, and the inclusion of classical references.