Jean Auguste Dominique Ingres – Angelica chained
1859. 97x75
Location: Museum of Art (Museu de Arte), São Paulo.
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The painting Angelica Chained depicts a nude woman, Angelica, chained with her arms stretched outward and above her head to a rough, rocky surface. She has long, flowing, golden-brown hair adorned with pearls and a head ornament. Her head is tilted back, eyes closed, with an expression that could be interpreted as suffering, ecstasy, or resignation. Water, depicted as turbulent sea spray, surges around her lower legs and feet, suggesting she is exposed to the elements and the sea.
In the background, a dark, choppy sea is visible, with a distant sailboat on the left, hinting at a voyage or potential rescue. To the right, a grotesque, dark creature with sharp teeth and claws, possibly a sea monster or demonic entity, lurks in the churning water, its head and forelimbs emerging from the foam. Above the creature, a large, stylized red rose is prominently displayed, with a broken shield or weapon impaled by arrows or spears bearing jewel-like fragments. The composition is framed in an oval shape, adding to its theatrical and dramatic presentation.
The subtexts of the painting are rich and can be interpreted on multiple levels: