Jean Auguste Dominique Ingres – Ingres Madame Jean Auguste Dominique Ingres born Madeleine Chapelle5
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire consists of a high-necked gown with voluminous sleeves gathered at the wrist. The fabric appears to be draped elegantly, creating a sense of richness and refinement. The artist has employed hatching and cross-hatching techniques to suggest depth and texture in the clothing, emphasizing its weight and form. A decorative band or sash cinches her waist, further defining her figure.
The drawing’s tonal range is limited, primarily utilizing shades of brown ink on a cream-colored paper. This restricted palette contributes to an overall sense of intimacy and immediacy, as if capturing a fleeting moment in time. The artists hand demonstrates a confident control over the medium, with lines that are both delicate and assertive.
Subtleties within the work suggest more than just a straightforward likeness. The woman’s gaze is direct yet not confrontational; it invites engagement without demanding attention. The floral adornment hints at an idealized beauty, potentially signifying innocence or virtue. The inscription in the lower left corner – Gigis à Madame le père 1849 – provides contextual information regarding the subject and date of creation, suggesting a personal connection between the artist and the sitter. This intimate dedication implies that the drawing was likely intended as a cherished keepsake rather than a public display piece. The overall impression is one of quiet elegance and affectionate regard, revealing a portrait imbued with both artistic skill and emotional depth.