Metropolitan Museum: part 2 – Workshop of Gerard David - The Adoration of the Magi
Workshop of Gerard David: Netherlandish, Oudewater ca. 1455–1523 Bruges ca. 1520; Oil on wood; Overall 27 3/4 x 28 7/8 in. (70.5 x 73.3 cm); painted surface 27 1/2 x 28 3/8 in. (69.2 x 72.1 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has structured the scene to create depth through multiple planes. A large archway dominates the foreground, framing the immediate group and opening onto a detailed landscape. This landscape is populated by further figures on horseback and foot, receding into the distance towards a castle perched atop a hill. The inclusion of this expansive vista suggests a narrative extending beyond the confines of the enclosed space.
The arrangement of individuals within the scene conveys a hierarchy of importance. The richly dressed man kneeling in offering occupies a prominent position, drawing immediate attention. His posture and attire suggest reverence and submission. The figures flanking him appear to be attendants or fellow dignitaries, their expressions conveying respect and solemnity.
A small dog sits at the feet of one of the men, adding an element of domesticity and perhaps symbolizing fidelity or loyalty. Its presence contrasts with the grandeur of the surrounding scene, introducing a touch of everyday life into this otherwise elevated encounter.
The color palette is dominated by deep blues, reds, and browns, creating a sense of richness and solemnity. The light source appears to originate from the left, illuminating the faces of the central figures and highlighting their expressions. This careful manipulation of light contributes to the overall atmosphere of reverence and awe.
Subtleties within the landscape suggest broader themes. The castle in the distance could symbolize earthly power or authority, while the presence of numerous people suggests a widespread recognition of the event taking place. The inclusion of diverse figures – particularly the man with darker skin – hints at a universality of faith and acceptance. Overall, the painting conveys a sense of profound significance, depicting an encounter that transcends social boundaries and resonates across cultures.