Metropolitan Museum: part 2 – Jean François de Troy - The Triumph of Mordecai
Jean François de Troy: French, Paris 1679–1752 Rome ca. 1736; Oil on canvas; 33 7/8 x 59 1/8 in. (86 x 150.2 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left, a group of soldiers on horseback advances, carrying a white banner aloft. Their presence suggests an element of military power or procession accompanying this central figure’s arrival. The figures in the foreground kneel or prostrate themselves before him, indicating submission and respect. A man in green, positioned closest to the viewer, displays a particularly dramatic posture of supplication.
On the right side of the painting, another cluster of people is assembled around what appears to be a fountain or basin. Here, the atmosphere seems more agitated; some individuals gesture emphatically while others appear distressed. The presence of a woman in red, leaning over and seemingly attending to someone lying on the ground, introduces an element of potential suffering or crisis within this celebratory context.
The architectural setting is notable. Classical columns and arches frame the scene, suggesting a formal, possibly urban environment. A distant cityscape, with a prominent dome visible on the horizon, provides depth and reinforces the sense of grandeur. The landscape itself is rendered in muted tones, allowing the figures to remain the primary focus.
Subtleties within the painting suggest layers of meaning beyond a simple depiction of victory. The contrast between the solemnity of the central figure’s procession and the apparent distress on the right side hints at potential underlying tensions or consequences associated with this triumph. The inclusion of both military force and civilian populace implies a complex interplay of power, authority, and public sentiment. The overall effect is one of carefully orchestrated spectacle, laden with implications about leadership, obedience, and perhaps even the burden of responsibility that accompanies high office.