Metropolitan Museum: part 2 – Carlo Crivelli , active by 1457–died 1493 Ascoli Piceno) - Saint George
Carlo Crivelli active by 1457–died 1493 Ascoli Piceno): Italian Venice (? 1472; Tempera on wood gold ground; 38 x 13 1/4 in. (96.5 x 33.7 cm)
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The figure’s posture is formal and upright, with a gaze directed slightly upwards and to the left, suggesting contemplation or divine inspiration. The face itself exhibits a delicate beauty, softened by carefully rendered curls framing the features. The armor is meticulously detailed, showcasing an impressive command of rendering metallic surfaces and intricate patterns. Noticeable are the individual plates, rivets, and decorative elements that contribute to the overall impression of wealth and power.
The dragon, partially visible at the lower right corner, appears subdued and defeated, its form rendered with a degree of naturalism contrasting with the idealized depiction of the central figure. The creature’s posture suggests submission rather than active aggression. The limited color palette – dominated by reds, golds, blues, and whites – contributes to the paintings overall richness and solemnity.
Subtextually, the work explores themes of courage, sacrifice, and triumph over adversity. The severed head likely alludes to a vanquished enemy or a symbolic representation of sin. The dragon’s presence reinforces this narrative of overcoming evil. The elaborate armor and gilded background emphasize the figures elevated status, possibly indicating divine favor or royal patronage. The artist’s attention to detail in rendering both the heroic figure and the defeated beast suggests an interest in conveying not only a specific narrative but also the complexities of human experience – the interplay between strength and vulnerability, victory and loss.