Metropolitan Museum: part 2 – Bryson Burroughs - Eurydice Bitten by the Snake
Bryson Burroughs: 1869–1934 1930; Oil on canvas; 51 x 41 15/16 in. (129.5 x 106.5 cm)
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A figure, presumably older and draped in modest garments, stands nearby, hands raised in a gesture that conveys distress or perhaps a futile attempt at solace. A young boy, positioned between this woman and the injured individual, mirrors her expression – a mixture of fear and sorrow etched upon his face. Further back, another youthful figure is depicted running away from the scene, adding to the sense of urgency and disruption.
The setting itself contributes significantly to the overall mood. The landscape stretches into the distance, featuring a body of water and a distant structure that could be interpreted as either a dwelling or a fortification. This backdrop, rendered in muted tones, creates a feeling of isolation and vastness, emphasizing the smallness and fragility of the figures within the foreground.
The artist’s use of light is particularly noteworthy. It illuminates the central group with a soft glow, drawing attention to their emotional turmoil while leaving the background somewhat shrouded in shadow. This contrast reinforces the sense that the tragedy unfolding before us is contained and self-contained, separate from the wider world. The presence of a discarded garment draped over a tree trunk on the left side introduces an element of abandonment or loss, hinting at a disruption of order and routine.
Subtly, the scene suggests themes of mortality, regret, and the limitations of human intervention in the face of fate. The running figure implies a desire to escape the unfolding tragedy, while the older woman’s posture conveys a sense of helplessness. The composition as a whole evokes a profound sadness, leaving the viewer with a lingering feeling of unease and contemplation about the fragility of life and the inevitability of loss.