Metropolitan Museum: part 2 – Attributed to Antonio Zucchi - Three Dancing Nymphs and Reclining Cupid in Landscape
Attributed to Antonio Zucchi: Italian, Venice 1726–1796 Rome ca. 1772; English; Oil on paper attached to a plaster ceiling roundel; Diam. (without plaster frame) 41-3/4 in. (106 cm)Diam. (with plaster frame) 54 in. (137. 2 cm)Depth 6-1/2 in. (16.5 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the right, a winged figure, identifiable as Cupid, reclines against the base of a large tree. He holds a stringed instrument – likely a lyre or harp – and appears to be observing the nymphs with an expression that blends amusement and perhaps a touch of melancholy. The tree itself is rendered with considerable detail, its gnarled trunk and foliage providing a naturalistic backdrop for the mythological figures. A banner or flag hangs from one of its branches, adding another layer of symbolic complexity.
The landscape recedes into a hazy distance, suggesting depth and vastness. Soft blues and greens dominate the background palette, creating an atmosphere of tranquility and idyllic beauty. The light source appears to be diffused, illuminating the scene evenly and minimizing harsh shadows.
Subtleties within the painting hint at deeper meanings beyond mere celebration. The nymphs’ dance could represent the fleeting nature of pleasure or the cyclical rhythms of life and renewal. Cupids presence introduces a theme of love – both its joyous and potentially sorrowful aspects – and his posture suggests a contemplative distance from the revelry, perhaps hinting at the complexities of desire and affection. The flag hanging from the tree might symbolize dominion or authority, subtly suggesting a hierarchical structure within this seemingly carefree world. Overall, the work evokes a sense of idealized beauty and invites contemplation on themes of love, nature, and the passage of time.