Phillip Richard Morris – Charles Edward Flower
1891 oil on canvas
Location: Royal Shakespeare Company Collection, Stratford-upon-Avon.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The mans attire suggests a position of considerable social standing. He wears a dark suit with a waistcoat, fastened with a visible button. Subtle details in the fabric’s texture are rendered with meticulous care, highlighting the quality of the materials. A cluster of decorative pins or badges adorns his lapel, hinting at affiliations or achievements that remain unspoken within the frame.
The chair itself is simple and functional, constructed from dark wood. To his right rests a small table upon which sits a stack of papers and what appears to be a photograph or miniature painting. These objects are deliberately placed; they suggest intellectual pursuits, administrative responsibilities, or perhaps a connection to family and personal history. The blurred details of the image on the table prevent precise identification but contribute to an overall sense of a life lived within a context of responsibility and legacy.
The background is dark and indistinct, serving primarily as a foil for the subject’s illuminated form. This limited depth of field draws attention directly to the mans face and upper body, reinforcing his central importance in the composition. The lighting is carefully controlled, emphasizing the planes of his face and highlighting the texture of his beard.
The overall effect is one of quiet dignity and understated power. While there are no overt displays of wealth or extravagance, the portrait communicates a sense of established status and a life characterized by purpose and accomplishment. The subject’s expression, though serious, lacks harshness; it suggests a man who has faced challenges but retains a measure of composure and perhaps even a hint of melancholy.