Albrecht Dürer – Lot and His Daughters (reverse side of “Madonna and Child”)
1496-99. 52x42
Location: National Gallery of Art, Washington.
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The background is characterized by a tumultuous landscape of towering cliffs and dense vegetation. A waterfall cascades down one side of the rock face, while a fiery destruction consumes the area further back. The light emanating from this inferno illuminates the scene with an unsettling glow, casting long shadows and highlighting the dramatic contrast between safety and peril. Small figures can be discerned within the burning city, adding to the sense of scale and emphasizing the magnitude of the disaster.
The arrangement of the foreground figures suggests a narrative of escape or witnessing. Their expressions are difficult to discern precisely, but their postures convey a mixture of apprehension and perhaps relief at having avoided the catastrophe. The woman in red’s gesture implies an explanation or warning directed towards unseen observers.
Subtextually, the painting explores themes of divine judgment and survival. The destruction represents a consequence for transgression, while the figures in the foreground embody resilience and adaptation. The contrast between the vibrant green landscape they occupy and the fiery ruin behind them underscores the precariousness of human existence and the power of forces beyond individual control. The inclusion of everyday objects like the hat and bag grounds the scene in a recognizable reality, even as it depicts an extraordinary event. The overall effect is one of unsettling beauty – a depiction of loss tempered by the promise of continuation.