Vincenzo Foppa (circle of) – Portrait of man in profile
1505~1525
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has rendered the man’s features with meticulous detail, emphasizing the sharpness of his nose and chin, as well as the slight prominence of his brow. The lighting is carefully controlled; it illuminates the face and upper torso while leaving the background in shadow, which serves to isolate the subject and draw attention to his presence.
He wears a dark velvet cap, its shape suggesting a certain status or profession – perhaps related to governance or scholarship. A richly embroidered garment, likely silk or brocade, adorns his shoulders; the intricate patterns are rendered with considerable skill, hinting at wealth and refinement. The collar of the garment is visible just below the neck, adding another layer of textural detail.
The overall impression conveyed is one of dignity, intelligence, and quiet authority. The profile view, a common convention in Renaissance portraiture, lends an air of stoicism and self-possession to the subject. There’s a sense of restraint; no overt emotion is displayed, which contributes to the feeling of controlled composure.
Subtly, the painting suggests a man accustomed to responsibility and perhaps burdened by it. The slight downward curve of his lips might be interpreted as an indication of weariness or contemplation rather than sadness. The absence of any background elements reinforces this sense of introspection; he exists within himself, seemingly detached from the world beyond the frame. Ultimately, the portrait aims not merely to record a likeness but to convey something of the subject’s character and position in society.