Lippo di Dalmasio – The Madonna of Humility Part 4 National Gallery UK

The composition presents a central female figure, presumably a mother, cradling a child within her arms. She is enveloped by a large, golden halo that dominates the visual field and establishes her as a figure of significant importance. The womans attire consists of a dark, enveloping robe, contrasted sharply with the vibrant red garment worn by the infant she holds. Her face exhibits a gentle expression, directed downwards towards the child, suggesting tenderness and devotion.
Flanking this central grouping are two winged figures, presumably angels, positioned on either side. They appear to be in an attitude of prayer or reverence, their hands raised in supplication. Their presence reinforces the sacred nature of the scene. The background is a deep, dark void, which serves to isolate and emphasize the illuminated figures within.
At the base of the painting, a cluster of flowering plants emerges from a darker ground. A crescent moon rests on the right side, adding another layer of symbolic meaning. Beneath this floral arrangement, an inscription is visible, rendered in a formal script.
The artist’s use of gold leaf creates a sense of otherworldly splendor and elevates the figures beyond the earthly realm. The limited color palette – primarily dark tones punctuated by red and gold – contributes to a solemn and reverent atmosphere. The positioning of the mother figure, kneeling or seated low to the ground, suggests humility and accessibility. This posture implies a closeness to humanity, despite her elevated status.
Subtly, the painting conveys themes of maternal love, divine grace, and spiritual devotion. The angels’ gestures suggest intercession and divine approval. The crescent moon is often associated with femininity and cycles of renewal, adding another layer of symbolic richness. Overall, the work evokes a sense of quiet contemplation and reverence for the sacred bond between mother and child.