Thomas Faed – Forgiven
1874 oil on canvas
Location: Guildhall Art Gallery, London.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A woman occupies the central space of the scene. She cradles an infant in her arms, her gaze directed downwards towards the child. A young boy is nestled beside her, his face pressed against a wooden surface, suggesting exhaustion or perhaps a state of quiet contemplation mirroring that of the man. The woman’s posture conveys a sense of protectiveness and tenderness, while also hinting at weariness. Her clothing appears practical and worn, indicative of a life lived in labor.
The room itself is sparsely furnished and shows signs of age and disrepair. Exposed wooden beams are visible on the ceiling, and the walls appear rough and unadorned. A small framed picture hangs on the wall above the table, offering a glimpse into personal sentimentality within this humble setting. Light streams in from an unseen source through a window to the right, illuminating dust motes suspended in the air and creating a palpable atmosphere of quiet intimacy.
The subtexts embedded within the painting suggest themes of faith, family, and hardship. The man’s posture implies a reliance on spiritual guidance amidst difficult circumstances. The womans nurturing role underscores the importance of familial bonds as sources of strength and comfort. The boy’s slumped position might symbolize the burdens carried by children in such environments. Overall, the work evokes a sense of quiet resilience and enduring hope within a context of economic struggle and physical labor. It is a portrayal not of grand events, but of the everyday moments that constitute a life lived with dignity and faith.