Marco Ricci (after) – Landscape with trees and woodcutters
1735~1740
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Beyond this prominent tree, the scene unfolds into a layered vista. A rocky outcrop juts forward, its surface covered in patches of moss and vegetation. Further back, a dense thicket of trees obscures much of the midground, creating a sense of depth and mystery. The artist uses varying shades of green to suggest different types of foliage and to create a visual rhythm across the landscape.
In the lower right corner, two figures are discernible – presumably woodcutters, though their activities remain ambiguous due to the distance and partial concealment. They appear small in scale relative to the surrounding environment, reinforcing the impression of human insignificance within the vastness of nature. The placement of these figures suggests a narrative element, hinting at labor and perhaps a connection between humanity and the forest’s resources.
The light source appears to be coming from behind the viewer, casting shadows across the rocks and foliage. This creates a dramatic effect, highlighting certain areas while leaving others in relative darkness. The sky is visible through gaps in the trees, suggesting a diffused, overcast day.
Subtly, there’s an underlying tension between order and wildness. While the composition is carefully structured with layers of depth and perspective, the untamed nature of the forest resists complete control or categorization. This interplay might allude to themes of human interaction with the natural world – a negotiation between exploitation and reverence. The overall effect is one of quiet contemplation, inviting the viewer to consider the power and beauty of the wilderness.