Metropolitan Museum: part 4 – Jan Gossart (Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)) - Portrait of a Man
Jan Gossart (Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)): called Mabuse ca. 1520–25; Oil on wood; 18 1/2 x 13 3/4 in. (47 x 34.9 cm)
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The man’s attire suggests a position of some status or wealth. He wears a dark, fur-lined garment over a white, pleated shirt with a high collar. A black hat, adorned with what appears to be a small decorative element, sits atop his head, framing his face. The meticulous rendering of the fabric textures – the sheen of the shirt, the plushness of the fur, and the weight of the outer garment – demonstrates the artist’s technical skill.
In his left hand, he holds a rolled parchment or document, secured with a seal. This detail is significant; it implies literacy, involvement in legal or administrative matters, or perhaps even patronage. The presence of the seal suggests officialdom and importance.
The mans expression is somewhat ambiguous. He appears to be looking directly at the viewer, but his gaze lacks warmth or overt emotion. It conveys a sense of seriousness, introspection, or perhaps restrained authority. There’s a subtle tension in his mouth that prevents it from appearing entirely neutral; it could suggest contemplation or even a hint of melancholy.
The overall effect is one of dignified composure and quiet self-assurance. The artist has created an image intended to convey not only the mans likeness but also aspects of his character and social standing. The careful attention to detail, the controlled lighting, and the symbolic inclusion of the document all contribute to a portrait that aims for more than mere representation; it seeks to establish a sense of identity and status within a specific cultural context.