Metropolitan Museum: part 4 – Goya (Spanish, Fuendetodos 1746–1828 Bordeaux) - Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Spanish, Fuendetodos 1746–1828 Bordeaux): Francisco de Goya y Lucientes 1804; Oil on canvas; 41 x 32 3/4 in. (104.1 x 83.2 cm)
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The man’s uniform is meticulously detailed; the dark blue coat is adorned with intricate gold braiding along the lapels and sleeves, indicative of rank. A crisp white shirt collar peeks out from beneath the jacket, secured by a red cravat tied in a formal knot. Several medals are pinned to his chest, signifying military service and honors received. The presence of these decorations underscores his status within the hierarchical structure of the armed forces. He holds what appears to be an engineers tools – a chain or measuring device – in his left hand, partially obscuring the lower portion of his coat.
The artist’s use of light is particularly noteworthy. It illuminates the man’s face and upper body, highlighting the texture of his skin and the sheen of the uniform’s fabric. The dark background serves to isolate the figure, intensifying the focus on him and creating a sense of solemnity or importance. Theres an intentional avoidance of elaborate ornamentation or symbolic props; the emphasis rests squarely on the individual and his official role.
Subtleties in the portrayal suggest more than just a straightforward representation of military authority. The man’s gaze is direct but not overtly assertive, hinting at a complex personality – perhaps one that combines competence with a degree of introspection. The overall effect is one of restrained dignity; it avoids overt displays of power or bravado, instead conveying an impression of quiet confidence and professional responsibility.