Metropolitan Museum: part 4 – Filippino Lippi - Madonna and Child
Filippino Lippi: Italian, Prato ca. 1457–1504 Florence ca. 1485; Tempera, oil, and gold on wood; 32 x 23 1/2 in. (81.3 x 59.7 cm)
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In contrast, the right side of the painting focuses on an intimate interior setting. Here we see a woman seated, her posture conveying both dignity and tenderness. She is draped in rich fabrics – a vibrant red tunic overlaid with a deep blue mantle – the colors emphasizing her status and spiritual significance. Her face exhibits a quiet solemnity, her gaze directed slightly downward, suggesting contemplation or maternal concern.
A young child sits on her lap, engaged in an action that draws immediate attention: he grasps the woman’s foot, seemingly examining it with intense curiosity. A book lies open on a small table beside them, and a pomegranate rests nearby – traditional symbols of knowledge and divine love respectively. The lighting within this interior space is soft and diffused, creating a sense of serenity and enclosure.
The juxtaposition of these two realms – the expansive cityscape and the confined domesticity – creates a compelling visual tension. It suggests a connection between the earthly and the divine, between civic pride and personal devotion. The architectural backdrop serves not merely as decoration but as a symbolic representation of the world that exists beyond this intimate moment.
The child’s interaction with his mothers foot is particularly noteworthy. This gesture, seemingly mundane, carries significant subtext. It can be interpreted as an innocent exploration of humanity, a foreshadowing of Christ’s incarnation and his eventual sacrifice – the very foundation of the faith being depicted. The pomegranate, positioned close to the child, reinforces this symbolic weight, linking innocence with divine promise.
The overall effect is one of profound reverence and quiet contemplation, inviting viewers to reflect on themes of motherhood, faith, and the relationship between the human and the divine.