Metropolitan Museum: part 4 – Attributed to Hans Memling - Young Woman with a Pink
Attributed to Hans Memling: Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges ca. 1485–90; Oil on wood; Overall 17 x 7 3/8 in. (43.2 x 18.7 cm); painted surface 17 x 6 7/8 in. (43.2 x 17.5 cm)
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The woman’s attire is noteworthy. A deep crimson gown, richly textured and seemingly of fine material, dominates her upper body. The neckline reveals a glimpse of darker fabric beneath, hinting at layers and suggesting a degree of formality or status. Around her neck hangs a delicate pendant, its design difficult to discern but contributing to the overall impression of refinement. Her hair is dark, neatly arranged, and falls in soft waves around her shoulders, framing her face.
In her hand, she holds a single pink blossom. The flower’s placement – held close to her chest – suggests significance beyond mere decoration. Pink flowers often carry connotations of modesty, gentility, and nascent love; its presence here could be interpreted as an allusion to innocence or the promise of affection.
The background is rendered with less detail than the figure itself. Through the arched opening, a landscape unfolds: a field stretches towards a distant treeline under a muted sky. The perspective is somewhat flattened, creating a sense of distance and contributing to the overall stillness of the scene. The architectural element – the archway – functions as both a framing device and a symbolic barrier between the woman and the world beyond.
The painting’s subtexts are layered and open to interpretation. The womans pose and expression suggest introspection, perhaps hinting at a moment of private reflection or quiet sorrow. Her attire indicates a position of some social standing, while the single flower introduces an element of vulnerability and potential romantic longing. The dark background and architectural framing contribute to a sense of isolation and restraint, suggesting that her inner world is separate from the external environment. Overall, the work evokes a mood of quiet dignity and understated emotion, inviting viewers to ponder the womans story and the circumstances surrounding her portrait.