Metropolitan Museum: part 4 – Mary Cassatt - Mother and Child (The Oval Mirror)
Mary Cassatt: American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise ca. 1899; Oil on canvas; 32 1/8 x 25 7/8 in. (81.6 x 65.7 cm)
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The artist has rendered the scene with an emphasis on soft light and muted colors, creating a sense of intimacy and quietude. The brushwork is visible, contributing to a feeling of immediacy and spontaneity. The color palette leans towards warm tones – pinks, creams, and yellows – which highlight the flesh tones of both figures and evoke a sense of tenderness.
The child’s gaze is directed toward his mother, exhibiting an expression that blends curiosity with vulnerability. His posture suggests a slight awkwardness or uncertainty, perhaps indicative of early childhood development. The womans face displays a mixture of affection and gentle amusement; her eyes meet the viewer’s directly, establishing a connection that transcends the depicted moment.
The mirror serves as more than just a compositional element. It introduces an element of self-reflection and voyeurism. The glimpse into another room suggests a larger domestic sphere beyond the immediate interaction between mother and child. This also implies a consideration of perception – how we see ourselves and are seen by others.
Subtly, the painting explores themes of maternal care, childhood innocence, and the complexities of familial relationships. It avoids sentimentality through its realistic depiction of bodies and expressions, instead presenting a nuanced portrayal of everyday life within a privileged setting. The composition’s focus on the private moment suggests an interest in portraying the quiet dignity and emotional depth inherent in domesticity.