Metropolitan Museum: part 4 – John Singleton Copley - Mrs. Sylvanus Bourne
John Singleton Copley: American, Boston, Massachusetts 1738–1815 London 1766; Oil on canvas; 50 1/4 x 40 in. (127.6 x 101.6 cm)
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The artist has employed a limited range of colors – primarily browns, greens, and whites – which contribute to a sense of formality and gravitas. The rich brown fabric of her gown contrasts with the crisp white linen cap and cuffs, highlighting the texture and quality of the materials. The chair itself is upholstered in a deep green velvet, its color echoing the shadows that envelop the background. This dark backdrop serves to isolate the figure, drawing attention to her presence and emphasizing her status.
In her lap rests a closed book, held gently between her hands. This detail suggests an appreciation for learning or intellectual pursuits, potentially indicating her social standing and refinement. The book’s placement is deliberate; it isnt prominently displayed as a symbol of ostentation but rather presented as an integral part of her character.
The lighting in the painting is carefully managed. It illuminates the woman’s face and hands, allowing for a nuanced depiction of her features and gestures. The soft light also reveals the delicate texture of her skin and clothing, adding to the overall sense of realism. Shadows are used strategically to define form and create depth, contributing to the portraits three-dimensionality.
The artist has avoided overt displays of wealth or luxury. There are no elaborate jewels or extravagant accessories; instead, the focus is on capturing the subject’s inner character and social standing through her attire and demeanor. The overall impression is one of quiet dignity, intelligence, and a certain reserve – qualities that likely reflected the values of the era in which this portrait was created.