Metropolitan Museum: part 4 – Anna Elizabeth Klumpke - Rosa Bonheur
Anna Elizabeth Klumpke: 1856–1942 1898; Oil on canvas; 46 1/8 x 38 5/8 in. (117.2 x 98.1 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire is noteworthy: she wears a dark, tailored jacket adorned with decorative buttons and a small rosette pinned to the lapel, indicative of a certain social standing or professional recognition. She holds a sheet of paper in her left hand, while her right hand rests on a paintbrush held loosely at her side – details that immediately suggest an artistic profession.
Behind her, partially obscuring the background, stands an easel displaying a work-in-progress. The visible portion depicts horses, rendered with a dynamic energy and attention to anatomical detail. A palette laden with pigments sits atop the easel, further reinforcing the connection to painting. The indistinct nature of the background contributes to the focus on the woman herself, creating a sense of intimacy and emphasizing her role as the central subject.
The overall impression is one of dignified composure and intellectual engagement. The presence of the unfinished artwork hints at an ongoing creative process, while the formal attire suggests a respect for tradition and professional identity. There’s a deliberate avoidance of overt sentimentality; instead, the portrait conveys a sense of quiet accomplishment and dedication to craft. The subdued color palette – dominated by browns, grays, and muted greens – contributes to this atmosphere of understated elegance and seriousness. It is likely intended as a tribute to an individual who has made significant contributions within her field.