Metropolitan Museum: part 4 – Gilbert Stuart - Captain John Gell
Gilbert Stuart: American, North Kingston, Rhode Island 1755–1828 Boston, Massachusetts 1785; Oil on canvas; 94 1/2 x 58 1/2 in. (240 x 148.6 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has rendered the man’s uniform with meticulous detail, highlighting the rich blue fabric trimmed with gold embroidery. A white waistcoat peeks from beneath the coat, and breeches are tucked into polished black shoes secured with buckles. A tricorn hat lies casually draped over his left arm, along with a dark-colored cloak or greatcoat tied with an elaborate tassel. The man’s powdered wig is styled in a fashionable manner for the period, contributing to the overall impression of refinement and status.
The background is deliberately subdued, employing a muted palette of grays and blues to create atmospheric depth. A rocky coastline rises on the left side of the composition, while a distant ship is visible on the horizon, hinting at maritime activity and potentially suggesting the subject’s profession or connection to naval affairs. The darkness surrounding the figure emphasizes his presence and draws attention to his features and attire.
Subtleties within the painting suggest more than just a straightforward depiction of an individual. The gesture of pointing could imply leadership, direction, or perhaps even a sense of responsibility. The inclusion of the ship in the background reinforces themes of exploration, power projection, and connection to empire. The carefully considered arrangement of clothing and accessories underscores the subject’s social standing and wealth. Overall, the work conveys an image of a man confident in his position, connected to both military service and societal prestige.