John Sell Cotman – Jesus Chapel, Norwich Cathedral
c.1807 w/c and black lead on paper
Location: Higgins Art Gallery & Museum - Bedford Borough Council, Bedford.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The composition is structured around vertical lines – the walls, pillars, and window tracery – which emphasize the height and formality of the space. A substantial monument or altar occupies the foreground, its surface covered with what appears to be open books or documents, suggesting scholarly activity or a record of past events. The arrangement feels deliberate, hinting at historical significance.
A small raven perches atop the monument, adding an element of unexpected detail and symbolic weight. Ravens often carry connotations of prophecy, mystery, or even ill omen in Western iconography; its presence here introduces a layer of ambiguity to the scene. A wooden chair leans against one of the pillars, suggesting recent use or a temporary placement, disrupting the otherwise static arrangement.
The floor is rendered with careful attention to detail, showing individual tiles and subtle variations in tone that contribute to the overall sense of age and wear. The artist’s brushwork is loose and expressive, particularly evident in the rendering of the stonework and foliage visible through the window. This technique lends a textural quality to the scene, preventing it from feeling overly rigid or formal.
The painting evokes a contemplative atmosphere – a space dedicated to reflection and remembrance. It avoids overt religious imagery, instead focusing on the architecture itself as a vessel for history and spiritual significance. The interplay of light and shadow, combined with the carefully chosen details, creates an impression of quiet dignity and enduring presence.