Anselm van Hulle – Chrysostomus Coeler (1607-1664)
Location: National Museum (Nationalmuseum), Stockholm.
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A prominent feature is the subject’s hair; it cascades around his face and shoulders in voluminous, dark curls, characteristic of the fashion prevalent during the mid-17th century. His facial features are sharply defined: a straight nose, thin lips set in a neutral line, and keen eyes that convey an impression of intelligence and perhaps a degree of reserve. A neatly trimmed mustache adds to his dignified appearance.
The man’s clothing is noteworthy for its richness and detail. He wears a dark, heavy cloak or coat with intricate embroidered patterns visible on the sleeves. Beneath this, a crisp white linen collar, adorned with delicate black ribbon ties, frames his face and draws attention to his neck. The fabrics texture is carefully depicted, suggesting an awareness of material quality and status.
Above the figure, inscribed in elegant script, are identifying details – likely a name and titles – which reinforce the subject’s position within a hierarchical social structure. This textual element serves as a formal declaration of identity and rank.
The subdued palette – dominated by dark greens, blacks, and whites – contributes to an atmosphere of solemnity and gravitas. The lighting is even, illuminating the face and upper body without creating harsh contrasts or dramatic shadows. This consistent illumination emphasizes the subject’s features and clothing, ensuring that they are clearly visible and readily identifiable.
The overall effect suggests a commissioned portrait intended to convey authority, status, and perhaps a sense of intellectual depth. The careful attention to detail in both the rendering of the figure and his attire points towards an individual of considerable importance within his society.