Part 1 Louvre – David, Jacques-Louis (1748 Paris - 1825 Brussels) -- Paris and Helena
1788, 144х180
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The setting is opulent and reminiscent of ancient Greek or Roman architecture. A luxurious bed, partially covered by heavy blue drapes, dominates the background, with rich red and orange textiles draped around it. Statues of robed figures stand sentinel on pedestals, adding to the sense of classical heritage. To the left, a tall, ornate stand displays a quiver of arrows and a helmet, hinting at the warrior aspect of Paris and possibly the impending Trojan War. The floor is tiled with concentric circles and inlaid green squares, contributing to the sense of order and grandeur. A shallow, tiled basin runs along the bottom edge of the painting, perhaps a decorative element or a fountain.
The subtexts of the painting revolve around themes of love, beauty, desire, and destiny. The narrative is drawn from Greek mythology, specifically the story that led to the Trojan War, initiated by the abduction or elopement of Helena, the most beautiful woman in the world, with Paris, prince of Troy. The painting captures a pivotal moment of romantic entanglement, highlighting the potent attraction between the two figures. Helenas allure and Pariss enchantment are palpable, suggesting the power of beauty and desire to transcend societal norms and trigger monumental events. The presence of the armor and weapons subtly foreshadows the tragic consequences of this love affair – the ensuing war that would devastate Troy. The classical setting and idealized figures lend a timeless quality to the depicted passion, framing it within a grand historical and mythological context. Its a visual representation of a legendary love that irrevocably shaped the course of history.