Fragonard, Jean-Honore – Mercury and Argos. Thousand-eyed Argus put to sleep and killed by Mercury. Argos was watching Io the cow, loved by Zeus. Copy of a painting by Carel Fabritius. Canvas, 59 x 73 cm R.F. 1981-17 Part 1 Louvre
Part 1 Louvre – Fragonard, Jean-Honore -- Mercury and Argos. Thousand-eyed Argus put to sleep and killed by Mercury. Argos was watching Io the cow, loved by Zeus. Copy of a painting by Carel Fabritius. Canvas, 59 x 73 cm R.F. 1981-17 1761-62, 59х73
The canvas presents a nocturnal scene steeped in shadow and imbued with a palpable sense of clandestine action. A young man, clad in white drapery, leans over a prone figure lying on the ground. The fallen individual is partially obscured by foliage and darkness, but his posture suggests sleep or death; his limbs are relaxed, and his head rests upon the earth. Beside him lies a hat and what appears to be a staff or walking stick, further reinforcing the impression of sudden interruption. The young man’s pose is one of focused intensity. He bends towards the fallen figure with an almost reverent care, as if performing a delicate task. His white garments contrast sharply with the darker tones dominating the composition, drawing immediate attention to his actions and highlighting his role in the unfolding narrative. A group of animals – cows and sheep – are clustered behind them, seemingly undisturbed by the events taking place. Their presence contributes to the pastoral setting but also serves as a visual buffer between the central figures and the viewer. The surrounding landscape is rendered with a loose brushstroke, creating an atmosphere of mystery and concealment. Dense foliage frames the scene on the left, while a distant horizon line suggests a vast, undefined space beyond. The sky above is overcast, adding to the overall mood of secrecy and foreboding. Subtleties within the composition hint at deeper meanings. The act of putting someone to sleep or ending their life carries significant weight; it implies betrayal, deception, and potentially violence. The presence of animals – typically associated with innocence and tranquility – creates a jarring juxtaposition against this darker theme. Their obliviousness underscores the clandestine nature of the event and suggests a disruption of natural order. The artist’s choice to depict the scene at night further amplifies its symbolic resonance. Darkness often represents ignorance, hidden truths, or moral ambiguity. The limited visibility obscures details, forcing the viewer to actively engage with the narrative and interpret the meaning behind the actions taking place. Ultimately, the painting explores themes of power, vulnerability, and the consequences of clandestine acts within a seemingly idyllic setting.
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Fragonard, Jean-Honore -- Mercury and Argos. Thousand-eyed Argus put to sleep and killed by Mercury. Argos was watching Io the cow, loved by Zeus. Copy of a painting by Carel Fabritius. Canvas, 59 x 73 cm R.F. 1981-17 — Part 1 Louvre
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The young man’s pose is one of focused intensity. He bends towards the fallen figure with an almost reverent care, as if performing a delicate task. His white garments contrast sharply with the darker tones dominating the composition, drawing immediate attention to his actions and highlighting his role in the unfolding narrative. A group of animals – cows and sheep – are clustered behind them, seemingly undisturbed by the events taking place. Their presence contributes to the pastoral setting but also serves as a visual buffer between the central figures and the viewer.
The surrounding landscape is rendered with a loose brushstroke, creating an atmosphere of mystery and concealment. Dense foliage frames the scene on the left, while a distant horizon line suggests a vast, undefined space beyond. The sky above is overcast, adding to the overall mood of secrecy and foreboding.
Subtleties within the composition hint at deeper meanings. The act of putting someone to sleep or ending their life carries significant weight; it implies betrayal, deception, and potentially violence. The presence of animals – typically associated with innocence and tranquility – creates a jarring juxtaposition against this darker theme. Their obliviousness underscores the clandestine nature of the event and suggests a disruption of natural order.
The artist’s choice to depict the scene at night further amplifies its symbolic resonance. Darkness often represents ignorance, hidden truths, or moral ambiguity. The limited visibility obscures details, forcing the viewer to actively engage with the narrative and interpret the meaning behind the actions taking place. Ultimately, the painting explores themes of power, vulnerability, and the consequences of clandestine acts within a seemingly idyllic setting.