Part 1 Louvre – Delacroix, Eugene (1798 Charenton-Saint-Maurice - 1863 Paris) - Still life with lobster
1827, 80х107
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The objects are grouped within what appears to be a wicker basket or net, partially obscuring a checkered cloth beneath. Behind this immediate display stretches a vast landscape rendered in muted tones. The horizon line is low, emphasizing the breadth of the view and suggesting a sense of expansive space. Figures can be discerned in the distance, seemingly engaged in hunting activities, though their details are indistinct due to atmospheric perspective.
The artist’s handling of paint is notable; loose brushstrokes contribute to a textured surface that conveys both the materiality of the objects and the atmospheric conditions of the landscape. The lighting appears diffused, lacking strong directional shadows, which flattens the forms somewhat and contributes to an overall sense of melancholy or quiet contemplation.
Beyond a straightforward depiction of harvested game, the painting evokes themes of abundance, mortality, and the relationship between humanity and nature. The presence of the snake introduces a subtle undercurrent of danger and primal instinct. The distant figures suggest human intervention in the natural world, yet their remoteness implies a certain detachment or distance from the immediate subject matter. The muted palette and expansive landscape contribute to a feeling of solitude and introspection, hinting at a deeper reflection on the cycle of life and death within the natural order.