Holy Family with Saint John the Evangelist and the Infant John the Baptist
Bartolomeo Cesi (1556-1629)
Bartolomeo Cesi – Holy Family with Saint John the Evangelist and the Infant John the Baptist
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
In this preparatory drawing, likely executed in chalk on prepared paper, the artist has organized a sacred grouping around a central maternal figure. The composition follows a classical pyramidal structure, which provides stability to the intimate scene. Here we see a woman seated prominently in the middle ground, cradling an infant in her lap; her downward gaze and gentle posture suggest a moment of quiet contemplation and nurturing tenderness.
On the left side of the composition, an elder man with a beard stands leaning on a staff. His presence introduces a sense of protective guardianship to the group. The artist has used fluid, rhythmic lines to define the heavy drapery of his robes, creating a sense of physical weight and volume. Opposite him, on the right, a younger figure stands facing slightly toward the center. This individuals posture is more upright, acting as a visual anchor that balances the elder man’s leaning stance.
At the base of the central group, a small child sits on the ground, interacting with what appears to be an animal or a small object. This addition of a smaller, more active figure breaks the stillness of the upper figures, introducing a sense of domestic vitality and earthly innocence into the divine setting.
The subtext of this work revolves around themes of lineage, protection, and the sanctity of familial bonds. The interplay between the aged patriarch and the youthful figures suggests a continuity of life and faith across generations. Furthermore, the use of a grid – visible through the orange horizontal and vertical lines superimposed over the drawing – indicates a rigorous preparatory process. This technical element reveals how the artist used mathematical proportion to ensure the harmony and balance of the figures within the sacred space, translating theological order into visual symmetry. The soft shading and delicate hatching create a sense of atmosphere, transforming a simple sketch into a profound meditation on tenderness and devotion.