Claude Oscar Monet – The Promenade (study)
1886
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The figures are arranged in a loose triangular formation. On the left stands a young girl, her form softened by the brushwork and dressed in a light-colored garment with a wide-brimmed hat. Centrally located is a taller figure, presumably an adult woman, also adorned with a hat and wearing a dress characterized by layered horizontal lines that create a sense of movement and volume. To the right, another figure, smaller in scale, holds a parasol, its red surface providing a striking contrast to the cooler tones surrounding it.
The ground beneath them is rendered as an undulating expanse of vegetation, painted with energetic strokes of green, brown, and touches of red, suggesting tall grasses or foliage. The brushwork throughout the painting is loose and impressionistic; short, broken strokes are used to capture the effects of light and atmosphere rather than precise forms. This technique contributes to a sense of immediacy and spontaneity.
The composition evokes a feeling of quiet contemplation and shared experience. Theres an absence of narrative detail – no clear indication of where they are going or what they are observing. The focus is on the simple act of being present in a natural setting, enjoying a moment of respite. The subdued color palette and diffused light contribute to a mood of tranquility and gentle melancholy.
Subtly, the painting hints at social conventions of the time; the attire suggests a middle-class leisure class engaged in an outdoor pastime. However, the artist’s choice to de-emphasize individual features and focus on the overall atmosphere transcends any specific narrative or character study, instead presenting a generalized impression of a moment in time.