Luncheon Édouard Manet (1832-1883)
Édouard Manet – Luncheon
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Painter: Édouard Manet
Location: New Pinakothek (Neue Pinakothek), Munich.
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The painting Breakfast in the Studio is rather atypical of the work of Manet, the founder of Impressionism. It is a mixture of genres--portrait, still life, and a typical domestic subject. In the center of the painting is a young man leaning carelessly on a table with breakfast leftovers. This is Leon, a relative of Manet’s wife. The young man’s absent gaze is directed somewhere in the distance.
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Description of Eduard Manet’s painting Breakfast in the Studio
The painting Breakfast in the Studio is rather atypical of the work of Manet, the founder of Impressionism. It is a mixture of genres--portrait, still life, and a typical domestic subject.
In the center of the painting is a young man leaning carelessly on a table with breakfast leftovers. This is Leon, a relative of Manet’s wife. The young man’s absent gaze is directed somewhere in the distance. To his left is a maid with a silver pitcher of coffee, and to his right is a man with a hat and a cigarette.
The left side of the picture is occupied by the artist’s traditional props - weapons. There you can also see some hint of dynamism - a black cat.
The painting was first exhibited at the Salon in 1869. Critics received it with a certain perplexity - they could not imagine how a sword, a cat and a woman with a coffee pot could be combined in one picture. Ultimately, the painting was received quite favorably - all the incongruous objects take their place, creating a harmonious composition.
You can see borrowings from other artists - Velázquez, Chardin, Vermeer - in the picture. For example, the woman with the coffee pot and the wall frame are most likely taken from Vermeer, while the knife lying on the table is from Chardin.
The uniqueness of the painting is that the artist does not linger on one subject. Leon, the woman with the coffee pot and the lemon on the table are equivalent for him. Bringing a person and a still life into one, Manet gets new opportunities for further experimentation. In creating this canvas, the artist proves that the composition of the picture is determined not so much by the subject as by a specific set of graphic means.
All three characters in the picture are kept apart. They don’t communicate with each other, they have absolutely nothing in common. They are as different pieces of furniture as a sword and a black cat sitting next to each other.
The painting is a natural continuation and addition of the famous Breakfast on the Grass.
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The picture has something of this: people, group, wear, lid, two, portrait, man, veil, three, woman, outfit, facial expression, several, four, administration, cap, leader.
Perhaps it’s a painting of a man in a sailor’s hat standing in front of a table with a woman in a white dress and.