ABC. 2 Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The printed work presents a striking visual composition centered around a portrait and accompanied by Cyrillic text. The dominant element is the depiction of a bearded male figure, likely intended as a religious icon or representation of a significant individual. He wears traditional clerical garments, including a long robe and a distinctive head covering, suggesting a position of authority within a religious hierarchy. The face exhibits an expression that conveys solemnity and perhaps wisdom; his gaze appears directed outward, engaging the viewer with a sense of gravity.
The figure is framed by an intricate geometric pattern, constructed from intersecting lines and stylized floral motifs. This decorative border serves to isolate the portrait while simultaneously integrating it into a larger symbolic structure. The color palette is restrained, primarily utilizing shades of green, red, and black against a neutral background. These colors likely hold specific cultural or religious significance within the context of its origin.
Flanking the central figure are two smaller, stylized images. On the left, we see what appears to be a hand holding a scroll or document, possibly symbolizing divine revelation or written law. To the right, a similar image depicts a hand grasping a musical instrument – likely a lyre – suggesting themes of harmony, inspiration, and artistic expression.
The Cyrillic text is arranged around these visual elements, with larger lettering emphasizing key phrases. The arrangement suggests a deliberate attempt to combine textual and pictorial information in a way that enhances the overall message. The presence of smaller print at the bottom indicates publisher details and possibly regulatory approvals or disclaimers.
Subtly, the work conveys an atmosphere of reverence and authority. It seems designed not merely as a portrait but as a visual proclamation – a statement intended to inspire faith, respect, or adherence to certain principles. The combination of religious iconography, symbolic gestures, and carefully chosen typography points towards its function as a piece of propaganda or devotional material aimed at a specific audience within a particular cultural context.