Kiss in the mouth. Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

Here we observe a tender moment captured within an oval frame, evoking a sense of intimacy and enclosure. Two children, a boy and a girl, are depicted in close proximity; the boy leans forward, his lips pressed against the girls cheek. The girl’s face is turned slightly away, her expression difficult to discern precisely, though it appears passive rather than overtly joyful or resistant.
The artist has rendered them in simple, somewhat rustic clothing: the boy wears a pinkish-red jacket over a white shirt, while the girl is dressed in a blue garment with a white undershirt. Their hair is depicted with loose brushstrokes, suggesting a natural and unrefined quality. A small dish containing what appear to be sweets or candies sits on a table between them, adding a domestic and celebratory element to the scene.
The composition’s framing within an oval creates a sense of isolation, drawing attention solely to the interaction between the children. The muted color palette – primarily blues, pinks, and whites – contributes to a gentle, nostalgic atmosphere. The background is indistinct, further emphasizing the focus on the figures themselves.
Subtextually, the image explores themes of childhood affection and nascent intimacy. While the kiss itself might be interpreted as innocent play or familial closeness, its placement within the intimate oval frame introduces an element of secrecy and perhaps even a hint of burgeoning romantic interest. The presence of sweets suggests a reward, a shared pleasure that reinforces the bond between them.
The overall effect is one of quiet sentimentality, evoking a sense of longing for simpler times and the uncomplicated joys of childhood. The image’s aesthetic style hints at a sentimental tradition, likely intended to evoke feelings of warmth and nostalgia in the viewer.