page de journal Frida Kahlo (1907-1954)

The drawing presents a stylized landscape dominated by a purple-grey palette, punctuated by areas of intense yellow and orange. The composition is divided into distinct horizontal bands. At the top, bold lettering proclaims LUNA on the left and SOL on the right, immediately establishing a thematic duality relating to the moon and sun. Above these words, a jagged, dark form suggests a building or perhaps an abstracted mountain range, rendered with thick, expressive brushstrokes.
Below this upper band, a horizon line is defined by a wash of yellow-orange, which gradually transitions into a lighter, more diffuse hue as it descends towards the lower portion of the image. Within this middle ground, a figure stands centrally. The individual’s features are obscured, appearing almost mask-like in their darkness and lack of detail. They wear what appears to be a traditional garment with layered folds, suggesting cultural specificity. Their arms are raised, one holding a fan or similar object, creating a sense of gesture or ritualistic action. A small circular mark is positioned near the figure’s shoulder, possibly indicating an adornment or marking.
The lowest portion of the drawing features a broad swath of yellow-orange paint that bleeds downwards, softening the edges and contributing to the overall dreamlike quality. At the very bottom, scrawled in a questioning script, appears YO?, which translates to “Me?” This inscription introduces an element of self-reflection or inquiry into identity.
The subtexts within this drawing are complex and layered. The juxtaposition of LUNA and SOL suggests a consideration of opposing forces – perhaps light and darkness, masculine and feminine, conscious and unconscious. The obscured figure’s posture implies a performative aspect, potentially representing an individual caught between these dualities or embodying them simultaneously. The inscription “YO?” introduces a personal dimension, hinting at a search for self-understanding within this symbolic landscape. The use of simplified forms and bold colors lends the work a sense of immediacy and emotional intensity, suggesting that it is less concerned with realistic representation than with conveying an internal state or exploring fundamental questions about existence and identity.